It is an understatement to say that Miles Davis did not record as a sideman for just anyone. In fact, the number of times after 1950 that the trumpeter agreed to uplift another musician's record can be counted on one hand, but Cannonball Adderley was not just 'another musician'. Considered a sensation when he debuted in New York in 1955, Adderleys' brilliant technique and creative ideas were matched by his jubilant sound which was always full of joy and excitement.
After leading a very enjoyable and commercially successful quintet during 1955-57, Adderley became a member of the Miles Davis Sextet, playing next to John Coltrane. Cannonball would have phenomenal success with his own quintet in 1959 but he was already one of the greatest jazz musicians when he recorded his lone Blue Note album, Somethin' Else in 1958. Joined by the Hank Jones Trio, this was the lone album that Adderley and Davis ever made together as the only horns. Among the five performances are very memorable renditions of 'Love For Sale' and 'One For Daddy-O.'
The highpoint is what could be considered the finest jazz recording ever of 'Autumn Leaves.' Davis' 'melancholy tone proved to be the perfect contrast to Adderley's joyful and exuberant playing which is overflowing with both creative ideas and pure enthusiasm. The classic music on Somethin' Else is sophisticated and earthy, melodic yet full of constant creativity. This is a true gem.
This pressing is on SRX Vinyl. SRX stands for “Silent Running Xperience.” SRX is our own proprietary formula, conceived and developed by Rick Hashimoto of Record Technology and manufactured by Neotech. Its noise floor is fathoms lower than any other vinyl we know of out there past or present. Records pressed with it look like normal black discs until you hold them up to the light and see that they are translucent and smoky, silvery gray in color. The near-perfect silence of SRX Vinyl virtually frees the music from groove noise and draws you further into the listening space, setting it in relief so distinct, full and spacious it’s nearly sculptural. You hear more of what’s on the original tapes, not only of the notes played on the instruments but the experience of the event itself. That's why we call it Silent Running Xperience.
Like all Music Matters Jazz releases, this is cut from the original analog tapes, mastered by Ron Rambach and Kevin Gray at Cohearant Audio, and pressed at Record Technologies Inc (RTI). The gorgeous gatefold jacket is from Stoughton Printing in City of Industry, California and includes exclusively licensed photos from the original session inside.
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